These words were written for a late-April weekend memorializing Patty Zimmermann, who was Editor-at-Large for The Edge, Director of the Finger Lakes Environmental Film Festival, Professor of Screen Studies at Ithaca College, and a fierce friend and ally. ...
We often discover new media fascinations in roundabout ways. In February of 2022, when filmmaker J.P. Sniadecki emailed me to ask if I’d seen Chloé Galibert-Laîné’s “Forensickness” (2022), I had only the vaguest sense of what had come to be called the “video essay.” I...
I started writing this the day “Barbie” was opening in the theatres. I had not seen it yet, because I am writing less about the film and more about the cultural and political moment we inhabit as it opens. I went as soon as I finished an early draft, exactly one week...
Natalia Almada’s documentary essay film “Users” (2021) questions a mother’s deep ambivalence about technology. But the film’s aesthetics makes clear that she has already chosen technology. The film is the binational Mexican American director’s first shot in the United...
Bill Morrison is known for his often-magical transformations of archival film in various states of decay into new works that speak to both past and present. Until the recent success of “Dawson City: Frozen Time” (2016), “Decasia” (2002), which was admitted to the...
Augmentation is not defined exclusively by emerging digital media forms, software, and interfaces. Instead, augmentation explores how to generate new processes about how to think through, with, and within place that spans the digital, the analog, and the embodied. Not...
Julia sat in the basement of the Student Union at the University of Iowa engulfed in a circle of women college students wearing flannel shirts, jeans, and work boots, drinking coffee to power them through a study night at the university library. It was 1976. I was a...
